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The work, for piano, several soloists and orchestra, was to respond to an official order for the centenary of Claude Debussy, in 1962.The trip to Japan by Olivier Messiaen and Yvonne Loriod in the summer of 1962 disrupted the development of this concerto.Based on birds' notes taken in 1958 in the Hérault, the work reveals new songs, including the improvisations of a stunning polyglot Hypolaïs and warblers who compete with virtuosity. Taking again the indications of structure left by the author, Fauvettes de l'Hérault - garrigue concert is the title I chose to give to the piece for piano alone, among those evoked by Messiaen in the manuscripts of the concerto.
Since 1986 he has been Chaplain of Paray-le-Monial, a town in the Burgundy region of France.
(Roger Muraro) Tokyo naturally imposed itself for the world premiere.
Roger Muraro performed Fauvettes de l'Hérault - concert of the garrigues for piano solo, at Toppan Hall, on June 23, 2017, underlining in fact the close links between this new work and Sept Haïkaï.
He filled many manuscript books with birdsong notations, and much of it was done in the field, but he also used recordings, working the birdsong into his compositions.
“His use of birdsong is much more sophisticated than any other composer in terms of the species he represented, the interpretation of song, and the notation.
I am hugely excited about hearing the piece, and this is likely to be the last premiere of a complete mature orchestral movement by Messiaen.